mikl-em's combine

Model Demonstrating General Electric’s Mechanical Hands c.1948 via maudelynn

(via secretcigarette)

Here’s my laughingsquid post from yesterday featuring a clip of the game show Price Is Right on New Years in 1962 where people can really win a New Ice Cream Truck! There’s a vintage Newport cigarettes ad in there, too. Fun video.

Just in case you hadn’t heard The Princess Bride Live, the ridiculously successful small theater show that I’m in in San Francisco right now, added 3 performances. Thursday-Saturday on Labor Day weekend.

All advance tickets are ALREADY sold out for the 3 added performances (as well as this weekend’s 3 shows which were in the original run). But you can queue up like an hour before the show as there will always be a few seats night of. But there’s a lot of people lining up for those. Get there early. No, earlier than that, if you want to get in.

If have tickets sit as close to the stage as you can cuz… it’s more fun there.

Above a vintage Lucky Strike image by an unknown artist via mudwerks & oldcarguy41.

Below image by Cameron Eng for Foul Play Productions.

Wow. Second bit of Awesomeness from Richmond, VA this week. Art not punk this time, and from very recent history. From last year’s Tobacco Project a “tiger-skin rug made with 500,000 ‘1st Class’ brand cigarettes at the Virginia Museum of Fine Arts” by Chinese artist Xu Bing. His new exhibition opened yesterday at the Aldrich Museum in Connecticut:

letmypeopleshow:

This is STILL Not a Pipe (reprise):

Reposting this item to coincide with the opening of Xu Bing’s “Tobacco Project” at the Aldrich Museum in Connecticut:

Image: 1st Class, 2011, Xu Bing’s tiger-skin rug made with 500,000 “1st Class” brand cigarettes at the Virginia Museum of Fine Arts.

In his fascinating new book 1493, Charles C. Mann writes about the unprecedented global movements of people, animals, plants, raw materials, and products after the Europeans colonized the Americas, transforming culture, society, and ecology around the world. From the Andes to the Philippines, Spain to China, Africa to Virginia, Mann charts the trans-continental movement of slaves, soldiers, pirates, traders, earthworms, honeybees, potatoes, chocolate, silk, silver, rubber, and viruses too numerous and creepy to count, to mention but some of the subjects in his lively discussion. Among this litany of paradigm-shifting products, though, one—native to the Americas and quickly dispersed to Europe, Asia, and Africa—was particularly addictive. Tobacco, Mann writes, represented “the first time people in every continent simultaneously became enraptured by a novelty.”

Thus was launched the cult of the cigarette, fittingly described by Richard Klein in his book Cigarettes Are Sublime as “the first modern object,” inspiring everything from opera (think Carmen) to advertising and package design that aimed to advance subliminal seduction to new levels.

Given its prominence in world history and commerce, though, tobacco and even smoking are relatively minor subjects in the visual arts—despite some notable exceptions like René Magritte’s The Treachery of Images, his 1929 painting famously inscribed “This is not a pipe,” which launched thousands of philosophical disquisitions on the dubious relationship of words and images, or the series of re-photographed magazine advertisements of the Marlboro man Richard Prince made between 1980 and ’92, which, as MoMA puts it, “question the mythology of the American dream and the commodification of the virile male,” reaching art-market heights in the process. 

Now comes Chinese artist Xu Bing, who had become, to put it mildly, obsessed with tobacco during his time in the American South, first as an artist-in-residence at Duke a decade ago and more recently preparing his current show at the Virginia Museum of Fine Arts, The Tobacco Project. Xu Bing, who currently has works using the medium of 9/11 dust on West 22nd Street and Chinese calligraphy at the Morgan Library, harnesses the cigarette as surface, sculptural material, and globally distributed graphic-design project. He created objects ranging from a tiger-skin-pattern rug made of more than half a million cigarettes standing on end; to a 440-pound compressed block of tobacco with the raised text “Light as Smoke”; to books made out of tobacco leaves printed with texts and sometimes including tobacco beetles; to trading cards for his “Puff Choice” brand; to a specially made long cigarette burned on a reproduction of a 12-century Chinese scroll.

Another piece is a collaboration with Law and Order’s René Balcer, who collects Asian art as well as pipes (and who once named a policeman on the show Xu Bing). For his part, Balcer, working with phrases used to market tobacco in the 19th century, collaged a free-verse tribute to the women who picked it. The poem was incorporated by Xu Bing into a work titled Backbone and later set to music by bluesmen Captain Luke and Big Ron. 

Finally, there is Xu Bing’s Pipe, a wood tobacco pipe with six added stems—and some tobacco—made in 2004 (a seventh stem was added this year); it looks like a cross between a spider and a funky antique robot. Somehow we wish it were called This Is Not a Pipe instead.

Photo: Travis Fullerton, Courtesy Virginia Museum of Fine Arts. 

(via letmypeopleshow)

“Always Buy Chesterfield”? Someone get Alec Baldwin on the phone. He’s been doing it wrong. “Claudette Colbert for Chesterfield Cigarettes” via hollyhocksandtulips